A little boy has a toy boat. He made it out of a can, a cork, a yellow pencil, and some white cloth. The boy and his boat are inseparable, until one day when the wind pushes the toy boat out into the wide lake. Alone now, the little boat must face fierce waves, a grumpy ferry, a sassy schooner, and a growling speed boat. How the little boat misses the boy! But if he is going to...(展开全部)

兰德尔·德·塞弗： 在兰德尔·德·塞弗的书桌上面有一艘玩具船。这是她和她的女儿波林娜用一个罐头瓶、一个软木塞、一根牙签和一些白色的布条做成的。有一天，当她沉浸在幻想中时，这艘玩具船告诉了她关于它的故事。 《玩具船去航行》是兰德尔的第一本书。几年之前，当她在布鲁克林高地的圣安娜学院担任一些小孩子们的老师的时候，她便开始为孩子写故事。现在，她的两个女儿波林娜和菲艾，经常给她带来写作的灵感。 兰德尔和她的丈夫，一位艺术家，还有两个女儿一起居住在布鲁克林。在夏天白勺时候，全家人会去康涅狄格州的一个湖度假，他们会在湖滨玩耍，还会看着一艘又一艘的大船经过。

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American "boom" and "postboom" novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)

Roberto Arlt (1900-1942), celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American 'boom' and 'postboom' novelists such as Gabriel Garcia Marquez and Isabel Allende. "Mad Toy", Arlt's most acclaimed novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the ba...(展开全部)

First published in 1920, The Mad Toy is set in Buenos Aires in the early twentieth century. Feeling the alienation of youth, Silvio Astier's gang tours neighbourhoods, inflicting waves of petty crime, stealing from homes and shops until the police are forced to intervene. Drifting then from one career and subsequent crime to another, Silvio's main difficulty is his own intellig...(展开全部)

Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from. Five years after it began, a handful of scattered survivors remains, including Malorie and her two young children. Living in an abandoned house near the river, she has dreamed of fleeing to a place where...(展开全部)

真実は、ここにある。 なぜ、司法はこれを裁けないのか? レイプ被害を受けたジャーナリストが世に問う、 法と捜査、社会の現状。 尊敬していた人物からの、思いもよらない行為。 しかし、その事実を証明するにはーー密室、社会の受け入れ態勢、差し止められた逮捕状。 あらゆるところに〝ブラックボックス〟があった。 司法がこれを裁けないなら、何かを変えなければならない。 レイプ被害にあったジャーナリストが、自ら被害者を取り巻く現状に迫る、圧倒的ノンフィクション。

『作者』 伊坂幸太郎（1971—）——日本文坛独树一帜的新锐作家，五度入围直木奖，曾获推理作家协会奖、新潮推理俱乐部奖、书店大奖等，被宫部美雪誉为"天才作家"，与东野圭吾、村上春树连续多年包揽日本权威书评杂志《达·芬奇》最受欢迎男作家前三名。 山本幸久（1966— ）——日本作家，2004年获日本第16届小说昴新人奖，被日本文学评论界称为“离直木奖最近的人”。 中山智幸（1975—）——日本作家，2005年获第101届文学界新人奖，2008年入围第138届芥川奖。 真梨幸子（1964—）——日本当代致郁系推理小说女王。2005年赢得第32届梅菲斯特奖，与凑佳苗、沼田真帆香留被誉为“抑郁系推理”的旗手，备受瞩目。 小路幸也（1961—）——日本作家，2002年获第29届梅菲斯特奖，代表作《东京下町古书店》系列曾被读者评选为“最希望搬上荧幕的小说”，同名...(展开全部)